Houston Calling

Houston Open Air festival features The Cult, Anthrax, Deftones, Slayer, Ministry, Alice in Chains, and more

September 24th, 2016 · No Comments

This weekend (Saturday, 9/24/16 and Sunday, 9/25/16), NRG Park hosts the inaugural Houston Open Air music festival. Check the line-up below.

More information may be found at www.houstonopenair.com.

→ No CommentsTags: Houston Open Air · Music · Show listings

Day For Night 2016 festival schedule announced: Squarepusher, The Jesus & Mary Chain, Wild Moccasins, Thundercat, Aphex Twin, Limb, Fat Tony, Matmos, Lower Dens, Washed Out, and many more

September 14th, 2016 · No Comments


This year’s line-up for the experiential arts festival Day For Night–to be held in the former post office in downtown Houston at 401 Franklin St.–has been announced. The featured artists include:

Aphex Twin | ODESZA | Travis Scott | Kaskade | Björk (unique digital sets) | Run The Jewels | Nick Murphy (Chet Faker) | Banks | Butthole Surfers | Blood Orange | Little Dragon | The Jesus and Mary Chain | Squarepusher | Blonde Redhead | Thundercat | Kamasi Washington | Unknown Mortal Orchestra | RZA feat. Stone Mecca Rider | John Carpenter | Washed Out | Ariel Pink | Lightning Bolt | Arca | DJ Windows 98 | Oneohtrix Point Never | Liars | Lower Dens | S U R V I V E | Matmos | Clams Casino | Mykki Blanco | Marcel Khalife | Chelsea Wolfe | Uncle Acid & The Deadbeats | Welcome to Houston | SG Lewis | SOPHIE | Tobacco | Nothing | Soulection | Mary Lattimore and Jeff Zeigler | Fat Tony | Jock Club | Wild Moccasins | Buoyant Spirit | Vacation Eyes | Limb | Hevin | -Us. | Jerk | MNYNMS | Maramuresh | Pfaff | Splendid Emblem | Kult Dizney | DIVISION | Night Drive | Josh Dupont | From Beyond | Futurelix

Tickets to the event are available at www.dayfornight.io. More information may be found at www.freepresshouston.com.

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Aphex Twin to play Houston’s Day For Night festival in December

September 14th, 2016 · No Comments

Irish musician Richard David James–aka Aphex Twin–plays his first U.S. show in eight years in Houston this December, at the Day For Night festival. Tickets are available at dayfornight.io.

Read more about Aphex Twin’s U.S. gig annoucement here.

The line-up for this year’s Day For Night is incredible, and will be officially announced at 10am today (9.14.16).

Day For Night will be held December 17-18, 2016.

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Free Press Summer Festival preview: King Finn

June 1st, 2016 · No Comments

Indie rockers King Finn have been a part of the Houston music scene for a while, and continue to make a name for themselves both locally and around the state, playing festivals and clubs. The group–Chris Gallego, Jeremy Ortiz, Jakub Ausobsky, and Michael Lucio–recently released its latest single, “The Flow” (which you can hear via Bandcamp), and gets a good chance to get for people to hear its music at this weekend’s Free Press Summer Festival, which will be held June 4-5, 2016, at NRG Park Yellow Lot.

You can read more about the band in Free Press Houston (here too), and visit the band’s website and Soundcloud.

King Finn plays Free Press Summer Festival this Saturday (June 4, 2016), from 11:20am-12pm, on the Venus stage.

→ No CommentsTags: Free Press Summer Festival · Music · Show listings · Summer Fest

Free Press Summer Festival moved again to NRG Park

May 30th, 2016 · No Comments

Image result for free press summer fest

Due to the recent rains in Houston, Free Press Summer Festival is moving locations to NRG Park’s Yellow Lot.

The fest will be held Saturday & Sunday, June 4-5, 2016, and single-day tickets are available here.

Line-up and schedule may be found at www.fpsf.com/schedule.

→ No CommentsTags: Free Press Summer Festival · Miscellaneous · Music · Show listings · Summer Fest

Free Press Summer Festival preview: Violent Femmes

May 27th, 2016 · No Comments

There was a time, nearly 30 (!) years ago, when I was a member of the Violent Femmes fan club. With my membership came two prized possessions during the latter half of my high school days: a “Gimme The Car” bumper sticker (which resided in the back window of my Oldsmobuick) and a T-shirt with a bizarre I-still-don’t-know-what-it-was image.

I assume most people’s introduction to Violent Femmes’ music was/is “Add It Up” or “Blister In The Sun.” But, if I recall correctly, I bought the band’s 1986 album, The Blind Leading The Naked, at the Musicland in a suburban mall on a whim. Sometimes it’s great coming into a band’s catalog a couple of albums in, and while I remain a fan of their third album, the first two–their self-titled debut and Hallowed Ground–without a doubt deserve the most attention.

The Milwaukee-based band never played Texas back then (that I knew anyway), and I never saw the band live until some Houston radio station parking lot concert on the Richmond strip in the early- to mid-90s. But it was a great show, and one I remember fondly. I haven’t really kept up with the band much, so it was great to learn that Violent Femmes will perform at this year’s Free Press Summer Fest at Eleanor Tinsley Park near downtown Houston. The festival runs June 4-5, 2016, and passes are available at www.fpsf.com.

Here are a few videos from the band to tide you over:

Violent Femmes play the Free Press Summer Festival on the Venus Stage, Sunday, 6.5.16, at 7:30pm. 

→ No CommentsTags: Free Press Summer Festival · Music · Show listings · Summer Fest

John Evans plays free in-store show at Cactus Music this Saturday to promote Polyester

May 19th, 2016 · No Comments

Photo: Brandon Holley

John Evans recently released Polyester, his first in six years, via Houston’s Splice Records. Evans is playing a series of free in-store record store sets, which brings him back to Houston this Saturday (5.21.16) to perform songs from the album at Cactus Music.

The show starts at 1pm, and copies of Polyester will be available.

Evans’ has been a long-time favorite of Houstonians, earning eight straight years of Houston Press Music Awards (including six-time Best Male Vocalist, four-time Best Songwriter, two-time Musician of the Year, and Best Roots Rock Band) before his move to Austin a few years ago.

Here are some videos from Evans, including “Butterfly Girl,” which is also the title of a documentary film about his daughter, Abbie, who passed away from a rare skin disease in 2013, and was the inspiration for Polyester. You can read more in the Houston Chronicle, Houston Press, Free Press Houston, and Houstonia.

More information about Evans may be found at www.johnevansband.com.

→ No CommentsTags: Cactus Music · Music · Show listings

Josh Rouse, Arthur Yoria play House Of Blues on Monday, 5.16.16

May 15th, 2016 · No Comments

I can’t recall when musician Josh Rouse last played Houston, but he’ll be here tomorrow night (Monday, 5.16.16) at the House of Blues Bronze Peacock Room. Arthur Yoria–whose latest video for “Ruff Life” is garnering attention–opens the show.

Tickets to the show, which starts at 6:30pm, are available from Live Nation.

Here is a video of a full show from 2013:

Watch Arthur Yoria’s video for “Ruff Life” below:

Visit Josh Rouse online at www.joshrouse.com. Arthur Yoria’s music may be found at www.arthuryoria.com.

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The Linus Pauling Quartet celebrates digital release of Ampalanche, plays free in-store at Cactus today

April 23rd, 2016 · No Comments

Conan the Barbarian (advert)

One of Houston’s most interesting bands, The Linus Pauling Quartet, celebrates the digital release of its latest album, Ampalanche, with a free in-store performance today (Saturday, 4.23.16) at Cactus Music at 3pm.

Ampalanche will be available online via iTunes, emusic, Amazon, Spotify, and Bandcamp. The vinyl version is available via the Vincebus Eruptum label.

More information on The Linus Pauling Quartet may be found at www.worshipguitars.org/LP4.

→ No CommentsTags: Cactus Music · Music · Show listings

Review: Starline, CJM

April 12th, 2016 · 1 Comment

Starline, CJM

While many may not yet be familiar with Starline‘s music, both band members have had an undeniable influence on the Houston music scene. Former Houston Rocket Matt Maloney founded 12 Records, which released Arthur Yoria’s still-impressive I’ll Be Here Awake in 2003, and Calvin Stanley was the frontman/guitarist for the long-running alt-rock band Pale (you may remember the video for “Catastrophic Skies”).

Obvious fans of Eighties-era 120 Minutes bands, Stanley and Maloney incorporate the more synth-driven influences of that time (Depeche Mode is an obvious example) into their songs, making them both modern and familiar. Mostly absent are the requisite guitar solos; instead, Starline intersperses them with a heavy dose of loops and beats.

The ragged edges of the gloomy “Platinum Spider” contrast nicely with the upbeat “Four On The Floor,” catchy “Redacted,” and melodic album-standout “Everyone Makes A Sound.” One of four songs on CJM reworked from a self-titled debut EP quietly released digitally a couple of years ago, it would easily fit into Pale’s catalog. Despite the obvious studio tinkering–the album reportedly took two years to make–the duo (with assistance from producer Steve Christensen) shows restraint.

Those familiar with Pale’s fondness for anthemic hooks certainly won’t be disappointed with the songs on CJM, and will find common ground with the album’s introspective lyrics. CJM shows Stanley and Maloney to be kindred spirits in their songwriting and musical tastes, and much of the album also brings to mind another scruffy, brooding frontman that likes to noodle in the studio: Nine Inch Nails’ Trent Reznor. Their songs contain a similar strong undercurrent of pining for lost loves and frustration with current relationships (“I don’t want to descend to your condescension / I hate that I live and breathe you,” Maloney sings on “Unloveable”). Starline’s songs also show the men wrestling with the inevitability of growing older and the challenges, soul-searching, and jaded frustration this can bring.

For example, “Orphans”–another album high point–finds them coming to terms with the death of close family members (the album’s title is a tribute to Maloney’s brother, Christopher). “Will you come find us, if you can,” Stanley sings. “We just want to understand.”

There’s miscommunication, disenchantment, technophobia, anger, and this longing for meaning throughout Starline’s songs, along with a cocksure-yet-sensitive sense of “I’ve got nothing to lose and plenty left to prove.” This last aspect is most evident in album opener, “Bruise,” on which Stanley sings, “I’ve got a soul like a bulletproof vest / I’m hitting back at the expecting less.”

CJM combines these dark themes with mostly catchy–and often danceable–songs that weave Starline’s New Wave-era influences into something new without sounding overly derivative or dated. If Maloney and Stanley have something left to prove, it will be interesting to hear.

→ 1 CommentTags: InMyEar · Music · Reviews